Halloween is almost upon us!!!!!! (Well, okay, it’s like a month away, but still…) And to celebrate, I’m doing a tour of the US and the UK. Here are the dates – the US ones aren’t confirmed, yet, and I’ll update them as and when. But if I’m coming to your school, or to a bookstore or festival near you, then stop by and say hi!! I’m happy to sign anything that you bring with you (including books, clothing, family pets, foreheads…)!
Horror Writing Workshop at Bath Festival!
Horror Writing Workshop at Cheltenham Festival!
Lingfield Notre Dame School, Surrey!
Neatherd High School, Dereham!
Long Stratton High School!
Pakefield High School, Lowestoft!
Talks and Workshops in West Bridgford Library, Nottingham!
City Academy, Norwich!
Taverham High School!
Swindon Youth Festival of Literature!
Writing for Children Workshop (for adults!) at the Writers’ Centre Norwich!
Bank Street Books, New York
Chicago School Events
Cincinnati School Events / Joseph-Beth Bookstore Event, Lexington
NCTE Convention, Boston!
And I think that’s it for now! Like I say, as soon as I get some more info I will pass it on. Really looking forward to seeing some of you guys soon!!!
I’ve been running quite a few horror writing workshops lately – and will be doing two more in the following weeks at the Bath and Cheltenham Literary Festivals if any of you fancy coming along! – and a few people have requested some prompts to help them get started. So here you go!
This list includes a few genre favourites that can be fun to work with. It is by no means extensive, and never feel like you have to stick to any one of these. Try mixing them up, and just have fun!
Okay, here we go…
There’s No Way Out!
One of the best places to set a horror story is somewhere you can’t escape from. Why else do you think I set the Furnace series in a terrifying underground prison! In fact, most of my books have elements of imprisonment in them, because there really are few things scarier than being trapped, with no hope of escape. The thing to do is to try and make the ‘thing’ that is trapping your characters feel like an entity in its own right. That’s what I wanted with Furnace, for the prison to feel like the bad guy, the thing you completely and utterly hated. Hopefully it worked! Also, when you trap your characters in a place where they can’t rely on others to save them, it forces them to use their own strengths to find a way out, which is perfect for a horror story. It’s up to you to imagine where your characters might be trapped – an underground facility, an alien spaceship, a nightmare, in a school after dark with a serial killer – but the scarier the place, and the more secure it is, the more exciting the story will be!
There’s a Killer in the House!
Oh, and a variation of this is the Killer in the House scenario. Essentially, this is the same as There’s No Way Out, but throw in a few monsters / killers / aliens etc as well! Trapped stories work best when there is an extra dimension of fear, something locked inside the same location that is trying to find and attack your characters. Monsters are far scarier when there is no escape from them! It’s one thing to meet a wheezer in a dark alley where you can run away from it, but meet one just outside your cell, where there is no escape… Try mixing locations with different kinds of threats and monsters, you can have loads of terrifying fun!
Don’t Mess With Nature!!
So many horror stories begin with somebody messing with nature – a mad scientist developing a new kind of technology that goes wrong, perhaps, or a new drug that has a horrific side effect, such as turning people in zombies. This can work on any scale. You could easily have a story about a science teacher at school who accidentally mixes the wrong ingredients for an experiment and creates a toxic monster / deadly gas / superpower potion. Or maybe the government claim to have developed a pill that protects you from all diseases, but which actually has a more sinister purpose… It’s totally up to you! Play god, nature is now yours to control! *evil laugh*
I Curse You!
I love these kinds of stories! The ones where somebody, or a group of somebodies, fall foul of an ancient and evil curse that makes life very, very difficult for them. Again, the cause of the curse can be completely up to you! You can go down the traditional route and have your characters trespass in a forbidden place – an ancient burial ground, a pyramid during a school trip to Egypt – or have them break some kind of rule – insulting a witch, dancing on a grave, buying a cursed object – or something completely weird – like accidentally spelling a mysterious word during a game of Scrabble. It’s completely up to you! And think about what effect the curse might have. Does it make everyone hate your characters? Or maybe nobody remembers them? Maybe they grow horns on their head, or all their skin falls off. Ew! Maybe it even has a positive effect, like making them unable to die. When you’re writing a curse story, it’s good to have a way of reversing the curse so that your characters have something to work towards. Do they have to kill the thing that cursed them? Or maybe they need to help it do something, like escape its prison. I’m just thinking off the top of my head here!
It’s Going to Eat the World!
And finally (for today), we’ve got the monster story. I love monsters, the scarier the better. And there’s nothing better than a monster so powerful that it could devour the whole world – which is why I used one in The Fury! I deliberately chose to leave the origin of this creature a mystery. I’d given all the bad guys in the Furnace books an identity and a back-story, which I think makes them more interesting. But there’s something terrifying about the unknowable. We know so little about the universe, and what’s out there, that it’s a little naïve to think we can explain away everything in a story. Giving the Man in the Storm a reason for being, a back-story, an explanation, would have undermined the very nature of it, would have made it knowable. But it’s completely up to you what kind of monster you use, and whether or not to explain its existence. Play around with some ideas. Remember, monsters don’t have to be huge. A monster that can creep into your ear and fix itself onto your brain is just as terrifying as one that can destroy a whole city with a flick of its finger.
Anyway, I hope these ideas come in handy if you’re looking for inspiration! The important thing is to have fun with them. The more fun you’re having the more you’ll enjoy telling the story, and the more active your imagination will be. I’ll be back soon with some more prompts and writing advice!
Oh, and for any of you in the UK who fancies coming along to a horror writing workshop, here are the details of my next two events. It would be awesome to see some of you there!
Here’s some more of me and Lucy playing Outlast, very, very badly…
I always wondered what I would be like if I was ever trapped inside a penitentiary filled with monsters, a la Furnace. And this, sadly, is the answer. I am not proud… Those screams could shatter glass!
It’s half an hour long, but skip to 12:20, 15:00, 22:00 and, well, just about everything from 25:57 onwards for the good bits!