Alexander Gordon Smith

Archive for the Category The Film

 
 

Back in the Real World!

Editing feels a bit like Sisyphus being told he doesn't have to push the rock up the hill any more, only for Sisyphus to say, "Actually, I'll just do it a few more times to make sure I got it right..."

 

I’ve been editing. Which means I have been in hell. It’s weird, it’s something that has to be done with each and every book, but I seem to hate it even more each and every time. It’s not that I’m precious – I don’t mind the books being changed and cut down. It’s more that I’m just lazy. When I finish writing a book I feel like I’ve, well… finished it. The story is done, set in stone. I take a deep breath and step back onto planet Earth where all my friends and family are patiently waiting for me. That feeling is great, because most of the time (or all of the time) bad things happen in my books. Horrible things. And when you’re writing you really feel like you’re in there, smack bang in the middle of the nightmare. It’s an exciting process, but it’s always a relief to get out of the other side with your life and all your limbs.

Editing feels a bit like running back in to a burning building to make sure the flames are in the right place. Or leaving your safe hideout and going off in search of the monster / vampire / serial killer that you have only just escaped. It’s not like reading a book, because you still have the power to change things. But some of the things you might want to change, like characters who perish in the action, you can’t, not without ruining the story anyway. So it’s like having to go through the whole gruelling, exhausting, terrifying adventure all over again. It’s like being back there with your characters (who, by this point, are your friends) and saying “Wow, look guys, we’ve gone back in time, we can do things differently! Oh, except for you, you still have to die horribly. Sorry about that!” For ages I’ve been trying to work out why I hate editing so much, and it has literally just occurred to me that this is the reason. It’s the responsibility of having to change the story, but the inability to make things any better for the characters inside it. It is a cruel and unusual punishment.

Anyway, I’m rambling, sorry! Editing also does that to me. I spend so long muttering to nobody but myself that I come out the other side of it chattering like an excited dolphin to anyone who will listen.

There will be more news on The Fury soon, including some awesome new covers! But, to answer some questions that I know will be coming, here’s the deal with how it’s going to work on both sides of the Atlantic:

In the UK, it will be two books: The Fury (which is already out, yay!) then The Storm (coming out in March 2013).

In the US, both of these books have been condensed into one monster of a read, which is just going to be called The Fury. And that comes out in March or April 2013.

So, if you buy the US version of The Fury, it will have both The Fury and The Storm inside it (bargain)!

But, of course, before we get too excited about the Fury, remember that Escape From Furnace: Execution comes out in the US IN JUST OVER A MONTH!!!!!! Keep an eye on the official Lockdown Facebook page for some competitions to win free copies!

More soon! :-)

Happy New Year!!!

Here's hoping the Mayans were wrong...

Happy New Year everybody!!!

It’s a little worrying just how many end-of-the-world images crop up when you do a Google image search for 2012…

But Armageddon aside, I think 2012 is shaping up to be a great year! Even the sound of it rolls off the tongue – twenty-twelve. That is a good-sounding year. It’s the kind of year that is made for looking back on in the future and saying: “Yeah, 2012 ROCKED!!”

I’m going to be blogging a lot more this year, mainly so I can keep track of my new year’s resolutions (I have about twenty, and counting). Some of the things I am most excited about this year include writing a new book in January, Fugitives coming out in the US in February, my US tour in March, The Fury being published in April, finally seeing Stagnant the movie getting made in May, getting a six-pack in June, holiday in July, the Edinburgh Festival in August, celebrating my gold medal at the Olympics in August as well, Execution coming out in the US in September, writing another new book in October, another US trip in November and Christmas in December!!

Okay, not all of those things will actually happen (I have yet to think of a way of getting a gold medal), but hopefully most of them!

Anyway, I just wanted to wish everybody an absolutely wonderful year. I hope 2012 is totally amazing for you all!

Sola Gratia!

So this is what it's like to be a movie producer...

I’m just back from a wonderful trip to Sweden, and I’ll be blogging about that very soon! But before I do, I just want to tell you all about the short film we shot just before I went. It’s called Sola Gratia, and depending on who you ask it’s either a zombie film or it isn’t…  I’m pretty sure it’s a zombie film, and as I wrote the script I guess I should know (that’s also me above, dressed like a zombie for the film, which is a pretty obvious clue). But it’s also not a zombie film, and I don’t really want to say why for fear of spoiling it!

Anyway, I had the idea for this about a year ago, and wrote it without really thinking it would ever be a movie. It was just a nice thing to write. Back then it didn’t have a title, it was just a fifteen-page script about a father and a daughter trapped in their home after the Apocalypse. Outside, the dead roam the streets, and eventually the man and his daughter are forced to run and seek a new shelter. On the way, they discover the horrific truth about the end of their world.

I sent the script to my sister Kate, who is one of the producers of our feature, Stagnant, and she showed it to her hubby Simon, who is a writer / producer / director. And we decided we’d all make it together! I took on the job of producer, and Simon wore the director’s cap, and we slowly but surely pulled everything together. Simon called in his team of super filmmakers: Eben Bolter the cinematographer (a genius, you can see his work here, including some shots from Sola), Daniel Cotton the assistant director, Simon Atkins the sound man, Chris Snelling the production manager, and Emily Kissock the makeup expert. Then we set about looking for the two stars of the film, the man and his daughter. We only auditioned two people, and they were so great that we went with them: Earl Ling and his step-daughter Annaliese Rose Thiel.

The Stars of the Show!

We filmed over three days, starting at about half five in the morning on Friday (that was a shock to the system I can tell you)! Luckily we were actually filming in my house for the first day. It was my first experience of life on set, and I quickly came to realise that the producer’s job mainly involves dashing out to buy things that have been forgotten, and giving people sandwiches. Which was fine by me!

It was so exciting to see a film being made. The house was jam-packed with equipment – the camera, the lights, the sound boom and mic, the smoke machine, the reflector and loads more – and everybody was working extra hard. We also had Annabel Love and Jade Wallis, two actors, on set. I was kind of expecting it to be a pretty stressful, manic experience with everybody getting annoyed at each other, but it was actually extremely chilled out, with the extras lazing in the sun when they weren’t needed, and everybody cracking jokes. Earl, an ex-boxer / ex-bouncer / ex-quite a few other things that he probably wouldn’t appreciate me mentioning, was so funny, and Annaliese kept us all entertained with her robot dances! I wasn’t planning to be in the film at all, but when one of the actors had to pull out I was recruited in as a zombie, which was AWESOME! The day passed in a whirlwind, exhausting but so much fun. The weirdest bit was driving everyone home afterwards whilst I was still caked in blood. I got a few strange looks…

What will my neighbours think?!?!?

The next day we were filming up at the University of East Anglia. Luckily we were away from campus, and filming around the lake and in the woods, although there were still plenty of dog-walkers around. My responsibilities as producer extended to making sure no dogs peed on the equipment, and I think I did a sterling job (although there were some close calls). It was another beautiful day, glorious sunshine, and I was pretty much grinning from ear to ear all morning. There is such an amazing sense of community when you shoot a film, a feeling of collaboration. It’s something you just don’t get with writing. Everyone helps out, everyone works together, you really feel like you’re part of something that extends way beyond the script. The script is the seed, really, and everyone on set helps it grow. It really is an amazing experience.

The crew hard at work! (And Mr Pudding, the star, in the suitcase!)

We finished early on Saturday because Earl and Annaliese had to go to a wedding. We were back at UEA first thing on Sunday, though, and this time we brought zombies! I was a little worried about the Sunday, because I wasn’t sure how people would react to swarms of dead folk roaming around campus. But, as security pointed out, it wouldn’t be too different to a Sunday morning on campus anyway…

Even zombies need a tea break...

I asked Lynsey and Lucy and Jamie to be zombies, and they were so cool. I also asked my good friend, and zombie expert (you can check out his incredible zombie blog here) Chris Farnell to come along, and he brought some brilliant zombie guests with him. Simon had also recruited some walking corpses, including talented actor Danny De Lillo, who had kindly agreed to be in the film even though he didn’t have any words (apart from ‘arghle’ when he is clubbed to death). We filmed in the glorious sun for most of the day, and every single person was fantastic (especially Emily, who had to make up a dozen people all by herself)! Again, my job was mainly waiting by the bags to make sure nothing was nicked, but it was still totally awesome. When Eben shouted “it’s a wrap” it all felt like some wonderful, hazy, summer dream. We all went to the university bar for a drink afterwards, and celebrated a fantastic weekend.

The Crew!

I didn’t have time to enjoy the post-shoot shenanigans too much because I had to get home and pack, then run to Heathrow. But I have to say it’s been a long time since I’ve had such a sense of satisfaction and enjoyment out of what should have been work! The experience definitely gave me an appetite for making films, and I’m really looking forward to the next one. I just want to say a HUGE thanks to everyone who played a part in Sola Gratia, and to all the enthusiasm, generosity, hard work and creativity you all contributed. I cannot wait to see the film that we all made together! With any luck it should be edited in the next month or so, and I’ll let you all know where you can see it!

Oh, and you can find more photos and updates on our Facebook page, here!